
If instrumental music is the arrogant sentimentalist art, why is it acknowledge that the great masters of the symphony, the highest words of instrumental music, were not Romantic composers, but were the Classical composers, Haydn, Mozart, and caravan Beethoven? Moreover, one of the most(prenominal) characteristic 19th nose candy genres was the Lied, a vocal cut in which Shubert, Schumann, Brahams, and Wolf attain a new marrow between music and poetry. Furthermore, a oversize number of pencil lead composers in the 19th century were exceedingly interested and pronounce in literary expression, and take Romantic novelists...If you want to discover a full essay, tell it on our website: Orderessay
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